But you don't need all these goodies to make the TRX850 into an enjoyable street bike; riding it just the way it comes is an impressive testament to the qualities of this supersports twin. In adapting the bike for more forceful, higher-speed European riding conditions, Negishi and his team have also sharpened the TRX's appeal, starting with the throatier exhaust note from revised exhaust silencers, removing the accelerator pumps from the 38mm semi-downdraft Mikuni carbs, and gearing the bike up quite substantially by two teeth, with a 39-tooth rear sprocket instead of the J-model's 41. It will still pull that tall gearing, though, as a fast run back to base along the Perpignan-Barcelona autopista confirmed: Squatting down under the screen, with toes on footrests and chest resting on the hump of the fuel tank in a way that was downright comfortable (especially once I'd tweaked the very solid mirrors down so I could change lanes safely without sitting up), the TRX ran for mile after mile at exactly its 8000-rpm redline, equating to 232 kph (144 mph) on the speedo. The screen is quite low, so leaning flat on the tank is the best way to avoid windblast at anything over 120 kph (75 mph), but the back of the tank does need a scratch pad to avoid being scarred by the zips of your leathers. Still, this is a twin that won't get left behind on German autobahns, and it's also comfortable for a long ride, too, thanks to the extra seat padding adopted for the European version. The riding position is still the same, though - a rational, spacious, real-world stance that sits you in the bike rather than on top of it, and doesn't have the flawed footpeg position of the Ducati 900SS, which is too far forward, thus leaving your knees too high. The Yamaha feels quite compact and light compared to a V-twin, even though it's an inevitably bulkier parallel-twin design.
But it doesn't feel like a V-twin to ride, nor indeed like a Euro-twin at all: The Yamaha has its own distinct personality which, for lack of any comparable counterpart made in Japan, you must term Japanese. The TRX has a smooth, linear power delivery, pulling from as low as 2000 rpm on part-throttle without snatching, or 3000 rpm wide open on the gas. From about 4500 rpm it really gets going, the 89.5 x 67.5mm engine delivering peak power of 83 bhp at 7500 rpm - but that's not to say it's all midrange like a 900SS. Instead, the Yamaha builds power in truly impressive manner all the way through the rev range - and even beyond. It has an appetite for revs that will send the tach needle off the clock at 9000 rpm, without the power falling off too steeply before running into the soft rev-limiter around there. The TPS (throttle position sensor) fitted to the carbs is part of a three-dimensional mapped CDI, with a trio of sensors varying the ignition timing according to engine revs, carb slide position and throttle operation. It works. Using the sweet-shifting five-speed gearbox with its widishly spaced ratios (1000 rpm between third and fourth, 1200 rpm from fourth to top) to keep the revs high is a real pleasure - but don't imagine that the TRX is peaky and inflexible as a result. Along the twisty coastal road between Tossa and Lioret, I could hold the bike in third gear for miles on end through countless turns, some little more than walking pace, interspersed with short straights where speeds approaching the ton (100 mph, to non-cafe racers!) were achieved. It's a bike which allows you to ride it as your mood dictates.
Though there are a few vibes at high revs through the footpegs, the twin counterbalancers do their job well enough to leave only the tingles that delight, and add character to the bike. This, together with the unique offbeat lilt from the 270-degree motor now breathing through more-rorty exhausts, ensures it sounds like no other twin. I've been told that my race bike sounds completely different from the flock of 90-degree V-twins it usually shares the track with - and it certainly feels different to ride, too. Only the pickup from low revs is a bit disappointing on the street TRX. I was sure Yamaha had fitted a different ignition curve than the one used on the J-model, but Negishi-san says this isn't the case. The initial response from a closed throttle at 2000-3000 rpm is rather jerky, as if the lack of accelerator pumps hadn't been compensated for correctly. Not enough to spoil enjoyment, though - and as a short rain shower thoughtfully arranged by Yamaha soon after our lunch stop high up in the mountains confirmed, this is still one of the world's great wet-weather motorcycles. Good for riding in Britain, then - well, except this year with our record hot summer and drought conditions, maybe!
Yamaha made more changes to the chassis for Europe than they did to the mechanical package, stiffening both the 41mm forks and Bilstein-type rear shock, while retaining the same link on the rising-rate rear suspension, and employing Michelin Macadam tires rather than the TX Hi-Sports fitted for Japan, supposedly to improve stability but I suspect really because their tread pattern and construction are more suitable for everyday use in all types of conditions. Those sport riders who do it just for fun will want to swap straight back to Hi-Sports as soon as they can, because though the Macadams give okay grip, they do start to move around if you get too enthusiastic with corner speeds, and are adequate rather than exceptional. The composite space-frame chassis delivers stable, forgiving handling that requires a little bit of effort to make the bike change direction, even with the shortish 56.5-inch wheelbase, but not so much that it ever stops being fun. You have to work just hard enough to make riding the TRX satisfying. The rear shock is quite progressive in response, but skipped noticeably over ridges and sharp bumps in the road surface till I dialed in four more clicks of rebound at the lunch stop, after which it felt better and stopped bouncing back off compression.
The stiffened forks are really good, even if some customers are surely going to swap them immediately for more de riguer upside-down suspenders. The stock units give good ride quality, with no patter or chatter at quite respectable corner speeds over a variety of different surfaces, and not too much dive under the braking offered by the four-pot Sumitomo calipers fitted to the European bike instead of the Brembos on the J-model - now, that's a switch, apparently made to improve feel! Trixie brakes pretty much the same with the Sumitomos as she did before with the spaghetti stoppers, which is okay without having as much bite as I prefer. The brake lever is adjustable for reach, but you need quite a strong squeeze to dial in heavy braking, like when Joe in his old pickup amber-gambles over on you and a panic stop is called for while cruising gently through a light that just turned green! The back brake is quite strong, though apart from said panic stop I only used it cranked over in the middle of a turn to pull the bike upright for a straighter, harder drive out, when it was a little difficult to get the right degree of sensitivity. Still, Jay Springsteen would have been proud of my rear wheel drifts - or maybe not...
Ducati did Yamaha a big favor by delaying the debut of their all-new 900SS until the 1998 model year - maybe. Though the two-valve Ducati sportbike is still back-ordered, its limited production and dated styling have given Yamaha a vital chink in the twinsports market that the TRX850 is bound to take full advantage of - especially at such a favorable price. Because in spite of having been originally engineered for the different requirements of the Japanese market, the TRX850 is that rare thing: a Japanese bike with soul, perhaps as representative of the new era in Japanese motorcycle culture as young GP riders like Ueda, Sakata and Saito, with their outgoing, try-anything nature and ability to adapt to different cultures and different lifestyles. Yamaha's TRX850 is a true original, with all the potential to become a modern classic: Time, and the customer dollar, will determine if that's really the case.